Collection(s) : Collection CNED-PUF
Paru le 18/12/2012 | Broché 156 pages
Capes, Capet, Capeps
Neither a full-scale tragedy nor a full-fledged comedy, William Shakespeare's Measure for Measure is a category-defying "problem play" which has baffled critics and audience alike for centuries. Shakespeare's last, unfestive comedy, one of his most debated and misread plays, has become a favourite among (post) modern spectactors, after years of comparative neglect and disfigurement. Despite the title's symmetry, drawing from the formulation of Talionic law, there is no such thing as "measure for measure", if only because the source of measure or judgment is itself biased. The present text-centered study aims at testing the validity of this axiom on a thematic, dramatic and linguistic level, and at providing lines of enquiry into a play which can ultimately be read as a celebration of drama - drama being the sole force to escape from the grip of this black, threatening comedy and come out strenghtened.
Denis Lagae-Devoldère is a senior lecturer in Early Modern Literature and Drama at Paris-Sorbonne University (Paris IV). He is the author of a book on Shakespeare's The Tragedy of Coriolanus (2007) and has published numerous articles and book chapters on Elizabethan, Jacobean and Restoration drama.
