Collection(s) : Monographies citadines
Paru le 28/09/2015 | Cartonné 30 pages
Tout public
Manet, who, despite himself, became the leader of the young Impressionists, proved to be the most Parisian and, above all, the most bourgeois of them all. He depicted various aspects of the society life of Paris, which he loved so much, from the musical gatherings in Tuileries Gardens to more intimate scenes in the cafés. With five paintings of Rue Mosnier, which proved his ability to act as an observer of the banality of everyday life, he also confirmed his extreme modernity and his clean and definitive break with academicism.
Art historian, expert in paintings and exhibition curator, since 2005, Bruno Delarue has devoted himself for writing about the artistic and social history of seaside regions as an author and publisher.
