Paru le 06/01/2021 | Relié 367 pages
Tout public
edited by Spiridon Giannakis and Tatiana Rogers | French translation Laura Delli Quadri
James Martin
Muse
James Martin est membre du corps professorat permanent au sein du département Illustration du Ringling College of Art and Design à Sarasota, en Floride. Tout au long de sa carrière, il n'a jamais cessé d'enseigner et de parfaire son art du dessin. Après avoir débuté sa carrière comme story-boarder et dessinateur d'affiches de films auprès de Neal Adams, légende du comics américain, il a travaillé pendant plus de vingt ans pour les studios d'animation de Walt Disney et DreamWorks, ainsi que pour Spike Lee, Steven Spielberg, James Cameron, Jean-Pierre Jeunet, Mattel, Paramount, Universal et Marvel Comics. Il a notamment oeuvré sur Le bossu de Notre-Dame, Hercule, Tarzan, La planète au trésor, Violences sur la ville, Shrek 4, Le chat potté et Dragons 1 et 2.
James Martin is currently a faculty member in the Illustration Department at Ringling College of Art and Design in Sarasota, Florida. Throughout his career, he has continued his commitment to teaching and working on his own art. He has worked for clients like Spike Lee, Steven Spielberg, Mattel, Paramount Pictures, Universal Pictures and Marvel Comics, as well as commissions from directors James Cameron and Jean-Pierre Jeunet. For over twenty years he has worked as a background pointer, Visual development artist, texture and matte pointer for Walt Disney Feature Animation and DreamWorks Animation, working on such films as The Hunchback of Notre Dame, Hercules, Tarzan, Treasure Planet, Over the Hedge, Shrek 4, Puss in Boots and How to Train Your Dragon I and II.
Très influencé par Dean Cornwell et Alphonse Mucha qu'il a étudié en profondeur, il a compilé dans Muse plus de 360 pages de nus artistiques et de commentaires sur sa méthode de dessin qui permettent à l'amateur d'art aussi bien qu'au dessinateur amateur ou professionnel de rentrer en détail dans les arcanes de son processus de création.
Major influences on his work in MUSE are Dean Cornwell and Alphonse Mucha, whom Martin studied extensively. In the book, aside from artwork, you will find explanations that help you understand Martin's approach to creating his pièces, learn from him and emulate his process. The book contains artistic nudity.
