Paru le 25/09/2019 | Relié 231 pages
Tout public
texts by Ekow Eshun, Chrissie Hynde | edited by Reuel Golden, Mary McCartney, Sarah H. Brown | design by Andy Disl
The Instant Art of Linda McCartney
« She'd always just be looking for everyday moments that interested her rather than manicured scenes. She wanted real moments. »
- Mary McCartney
Following her best-selling TASCHEN monograph Life in Photographs, discover a more intimate and highly personal side of Linda McCartney's photographic work in The Polaroid Diaries. Interspersed portraits, still lifes and interior compositions affirm McCartney's bold eye for pattern, texture, colour, and an elegant use of light. The images, seemingly random, are flawlessly composed, revealing a unique artistic sensibility.
The collection focuses on McCartney's distinctive way of seeing the world and her family, through charming and quirky portraits of Paul McCartney and the couple's four children. We see them pulling faces and in matching pyjamas. We see James pouring water on himself, and Mary and Stella playing dress-up. There's dancing, eating, horse riding and countless moments of everyday life on their farm in Southern England.
As Paul says in the introduction : « She would just see things. Many of her photos, it's just that one click. You've got to recognise when a great photo is happening in front of you. And then you've got to snap it at exactly the right moment... And she did that so many times that it always impressed me. » The Polaroid Diaries curates more than 200 of these « right » moments from the early 1970s until the mid-1990s, along with a foreword by Chrissie Hynde and an essay by art critic Ekow Eshun.
The book also features luminous landscapes across Scotland and Arizona, as well as the odd celebrity, as the likes of Steve McQueen and Adam Ant wander into the frame. Other pictures attest to her love of animals, with compassionate images of cats, lambs, horses and hens. It's a pre-lnstagram glimpse into the life of an extraordinary family, a celebration of Linda's legacy as a fiercely committed artist and of the instant magic of Polaroid film.
Ekow Eshun is a London-based writer, critic, and curator and the former director of the Institute of Contemporary Arts, London. His writing has appeared in publications including The New York Times, The Financial Times, The Guardian, The Observer, Granta, Vogue, Aperture and Wired. He is the author of Black Gold of the Sun, which was nominated for the Orwell Prize, and the editor of Africa Modern : Creating the Contemporary Art of a Continent.
